Paul G Roberts gives us an inside look at the latest Virgil Abloh submission; live from Brooklyn museum.

Photograph by Paul G Roberts
By Paul G Roberts
I spent some hours this past Sunday at the Abloh exhibition, Brooklyn museum.
“Question everything!” Virgil Abloh, what an amazing human. Not just an artist. He brought together people of all races, genders, and creators of all forms of artistic endeavour. He sampled frequently and fused many elements of the culture he observed, so genuinely. Just like Warhol before him he saw no distinction between Gone so soon. Hard to imagine what he would have done.”
Photograph by Paul G Roberts
Since the beginning of his career, the multidisciplinary work of late visionary artist and designer Virgil Abloh (Rockford, Illinois, 1980–2021, Chicago, Illinois) has reshaped how we understand the role of fashion, art, design, and music in contemporary culture.
Photograph by Paul G Roberts
Virgil Abloh: “Figures of Speech, developed by the Museum of Contemporary Art Chicago, is the first museum exhibition devoted to Abloh’s work and spans two decades of his practice, including collaborations with artist Takashi Murakami, musician Kanye West, and architect Rem Koolhaas, among others; material from his fashion label Off-White; and items from Louis Vuitton, where he served as the first Black menswear artistic director.

Abloh and the Social Sculpture

Photograph by Paul G Roberts
Newly added for the Brooklyn Museum’s presentation are never-before-seen objects from the artist’s archive, as well as a “social sculpture,” which draws upon Abloh’s background in architecture. The installation offers a space for gathering and performances and is designed to counter the historical lack of space afforded to Black artists and Black people in cultural institutions.
“Figures of Speech” traces Abloh’s exploration of the communicative power of design. His use of language and quotation marks turns his designs, and the people who engage with them, into literal figures of speech. The artist uses the Black gaze to dismantle the traditionally white-crafted structures at work in fashion, design, architecture, and art, reconstructing new work through the lens of the Black cultural experience.

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