A Fashionable Tribute to Fleetwood Mac’s Half Century of Music
Fleetwood Mac are heading Down Under. Bohemia hysterics are encircling, lyrics of passion begin to bite our ears and a great nostalgia is most probably
GROUPLOVE Chats Electric Ladies, Life’s Lemons And Leotards
Hannah Hooper, one fifth of LA-based indie-pop rock quintet GROUPLOVE, took a hot sec from the band’s hectic Aussie tour to chat with your pals at
What Do We Talk About When We Talk About Love—In Music
On this the day of gooey sonnets, of broken hearts and two-dollar roses, you best believe the romantics among us are beating their chests to
Don’t Kill Live Music: A Voice for NSW
You’ve heard it before, you’ll hear it today and by the manner of things currently unfolding, a lot more in the future. The state LNP
Mimi Xu: Effortless Selection
If you’re anything like us, then music is the constant that lubricates your existence. From broken hearts to 4.00am at club God-knows-what, song and melody
Six SXSW Artists Poised for 2019
As March approaches, so too does the world’s largest music conference. Right about now 2000+ artists from around the world are fine tuning their performances,
Turquoise Prince Gets Starry-Eyed on ‘Some Nights’
Cushioned by melancholic hip-hop production, Turquoise Prince lays bare the experience of nocturnal youth. As if on the tail end of one worth remembering, Canberra
House is Black Music
Black history shaped America. Theirs is a voice that moulded a societal and cultural consciousness, toppling the might of systematic oppression. From obvious civil rights
Sub-Genre of the Week: Industrial
If you were to argue that industrial is of its own entity—one devoid of the ‘sub’ prefix, you’d have a pretty damn good case. I
FBi Radio Announces 2018 SMAC Award Nominees
As NSW continues to asphyxiate under Berejiklian’s red tape, Sydney’s FBi Radio has remained an institution of staunch opposition. Championing local music, arts and culture,
Foals Announce Video for “Exits” Ahead of Ambitious Dual Album
A far cry from the indie angles of early singles like “Balloons”, the likes of which were my first interaction with Foals—”Exits” is a measured
